Emily Roz

New York artist showing contemporary drawings and paintings.

Critics Pick on Artforum.com for Your Content Will Return Shortly

Critics pick by Nathaniel Lee on artforum.com
Your Content Will Return Shortly
at Franklin Street Works
curated by Terri C. Smith
through March 24, 2012

Posted on March 12, 2013 at 2:16pm | link

New York Times, February 24, 2013

Featured in Sunday’s New York Times, February 24, 2013 for “Presidents”

Included in “Your Content Will Return Shortly” at Franklin Street Works, Stamford, CT
With artists Christopher DeLaurenti, Eric Gottesman, Jonathan Horowitz, Sophy Naess, Jeff Ostergren, Lucy Raven, Martha Rosler, Catherine Ross, Emily Roz, Carmelle Safdie, and Siebren Versteeg.

Posted on February 28, 2013 at 11:33am | link

Editor’s pick by Miranda Siegel in New York Magazine for Territorial Re-Marks

New York Magazine, Art Agenda, February 4, 2013

Territorial Re-Marks
with works by Front Room artists Emily Roz and Patricia Smith in conjunction with Articule artists Jérôme Havre, Michelle Lacombe. Part of the Brooklyn/Montreal Exchange

Front Room Gallery
147 Roebling Street, Williamsburg
January 11-February 3
Fri-Sun 1-6

Posted on January 28, 2013 at 9:18am | link

Your Content Will Return Shortly, at Franklin Street Works, opening January 24

Your Content Will Return Shortly
curated By Terri Smith
Franklin Street Works
41 Franklin Street
Stamford, CT

January 24 - March 24, 2013

Virtually since television’s invention, artists have used its form, content, and media (especially video) to create a myriad of artworks whose intentions range from homage to critique. Your Content Will Return Shortly will explore how contemporary artists harness the in-between moments of our television experiences by taking their cues from devices such as advertising, laugh tracks, test signals, and static.

With artists Christopher DeLaurenti, Eric Gottesman, Jonathan Horowitz, Sophy Naess, Jeff Ostergren, Lucy Raven, Martha Rosler, Catherine Ross, Emily Roz, Carmelle Safdie, and Siebren Versteeg.

Posted on January 17, 2013 at 6:21pm | link

Territorial Re-Marks at Front Room, January 11, 7-9pm

Saucer Magnolia Triptych, oil on panel, 16 x 20 inches each

Territorial Re-Marks
Front Room Gallery
Opening reception : January 11th, 7-9pm
January 11 – February 3, 2013
147 Roebling Street
Williamsburg, Brooklyn

“Territorial Re-Marks” will feature works by Front Room artists Emily Roz and Patricia Smith in conjunction with Articule artists Jérôme Havre, Michelle Lacombe.



This exhibition is part of the Montreal/Brooklyn Exchange with articule gallery

Posted on January 09, 2013 at 6:55am | link

“Épidémie culturelle”, review by Jerome Delgado in Le Devoir

review of Re-marquer le territoire at Articule in Montreal

excerpt from Épidémie culturelle, by Jerome Delgado in Le Devoir:

“With four artists Articule offers a real group show, unlike most other places that have opted for a collage of solos. The territory invested here touches the theme of colonization, with the work of weaving and melting pot of Jérôme Havre welcomes visitors. Plans and drawings Patricia Smith, arranged on two large tables, address the following urban development in a personal way, with retouching ink or watercolor. These two bodies, the foundations politicized, but tenuous, resulting in works and precious little literal.

The other two projects, more intertwined in the bottom of the gallery, are diametrically opposed to one another. Emily Roz’s paintings are full of details and exotic patterns, while interventions on the wall of Michelle Lacombe, simple horizontal lines at the mine, are conspicuous by their discretion. The six gouaches and oils and the first two Literary Landscape Drawing the second win in this approximation, however, unusual.

In his descriptions of places and lush scenes of great violence, Emily Roz juxtaposes different universe. Behind this view of nature where the hyena, or any other predator, has a central role, the artist paints a bleak picture of humanity. The land use is a matter of survival, and sometimes in the beautiful colors of a painting as Vulture Claw (the claws of the vulture), hiding truths more difficult to perceive, accept.”

Posted on November 12, 2012 at 6:47pm | link